That is the topic of the 2024 LSCAC International Scientific Conference - “Language, Society, and Culture in the Asian Context”, which takes place from November 22 to 24 in Hue. This event is held by Hue College in collaboration with Malang National University (Indonesia), Hyderabad University (India), University of Mahasarakham (Thailand), the Institute of Cultural Anthropology (Hanoi), and the Northeast Institute for Cultural and Arts Research (Thailand).

Known for his many roles, Mr. Tran Si Chuong recently released the book "Conversations with Gen Z" with collaborator Nguyen Thi Diem Chau. This book is seen as "igniting the entrepreneurial spirit" for many young people in the 4.0 era. Thua Thien Hue Weekly had an engaging conversation with the Hue-born expert as he introduced his spiritual creation in his hometown.

On the afternoon of April 7th, a seminar titled “Commercial Photography in the era of Artificial Intelligence” was held at the Faculty of Journalism and Communication, University of Sciences. The event was organized by the university in collaboration with the Thua Thien Hue Photography Association and sponsored by Yongnuo, a company specializing in photography equipment manufacturing.

On the morning of April 4th, speaker Nguyen Trung Dan, Associate Professor at the University of Arizona, USA, held a talk show, sharing insights with lecturers, students, and high school students of the University of Sciences, Hue University on the topic of “Semiconductor Chips - The core of the technological era.”

The dragon, known by the character "long", is a mythical creature steeped in supernatural qualities, standing at the forefront among the four sacred animals: "dragon, unicorn, tortoise, phoenix". It emerged thousands of years before the Common Era, gradually elevated to a symbol in East Asian culture. The dragon is seen as the ruler governing the rivers and seas, often referred to as the Dragon King.

The painting "Long van khe hoi" (Nine dragons in the clouds) is a masterpiece on the ceiling of the old main hall of Dieu De Pagoda, which has been moved around 20 meters backward, and is currently being well preserved to the surprise of many. The painting used to be a topic of heated debate for many years regarding whether to keep in the old main hall or to dismantle it. Dismantling it also meant erasing this masterpiece.

For the first time, more than 100 documents, containing royal seals and autographs, along with many images about the story of the construction of Hue Imperial Citadel, were vividly reenacted through an exhibition held right in the Flag Tower (Ky Dai) area, the Upper Surface of the Citadel rampart, Hue Imperial Citadel.

The outdoor exhibition at Phung Tien Palace, Hue Imperial City offered viewers an opportunity to learn about the architecture, spiritual life under the Nguyen Dynasty as well as the cultural, historical and artistic values of this era through virtual reconstruction combined with reality.

Ao Dai, no matter how beautiful and culturally significant it is, must also incorporate fashion elements and be adapted to fit the modern era in order to remain relevant. How can we attract the attention of the young generation to the traditional Ao Dai, so they will wear it proudly and honor its beauty and cultural heritage? This is not a task that can be achieved overnight.

The memory of Ao dai in me is simply the image of my mother wearing an Ao dai, in a rush carrying a basket in one hand and hastily putting on a gray Ao dai with the other, getting ready to go to the market. And so, over time, the elegance of the Ao dai worn by Hue’s women, with its flowing silhouette, naturally became a part of me.